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Poetry

Hetta

Robin-Run-Rake* by Hetta
 

the sun still flirts with the eastern horizon,
red, ripe and full, like the hips and the haws,
yet its warmth waits an arrow, as Orion,
to be placed with tears amongst night time’s stars,
but today it has life, and still mellows the ground,
robin-run-rake rises over the fields,
gossamer, tulle, shifting and dancing,
winter and sun, neither willing to yield,
a solemn celebration of each tree boldly crowned,
with fruits, burnished leaves, yet to be browned
by winter’s cruel hands, icily prancing.


and if not a dance, for it may not be,
the sleek progress of hounds
as over the fields they flee,
before gathering here, Artemis to surround,
wavering gently, between rig and slack,
tongues carelessly hanging, thin tails aquiver,
ready again for the chase in a flash,
ghostly silver against the ploughed black,
and as sunlight on water, they’re gone with a shiver,
gone last of all from each stream and river,
he land now still and filled with summer’s last cache.


a dance, a hunt, a summer’s last gift,
coronation-cloth draped on Autumn’s dark shoulders,
fittingly grave, the low-lying mist,
irresistible scent of bonfire smoulder,
starting to rise and slowly to wander, teenager-slow,
loathe to leave bed,
lake-surface not to be broken by boat or by wake,
just to sidle away, gone like spring snow,
as summer wins out, the sun yellow, not red,
rises though Autumn has shown its death’s head,
yet the birds do not care, screeching still, “robin-run-rake”.

​

* “The shimmering vapour that rises from and floats over the ground in hot weather is called, in some parts of Lincolnshire, Robin-run-rake. This is probably a corruption of Robin-run-rig – the rig and slack being the rise and fall in the surface of a field. County Folk- lore, Volume V, Mrs. Gutch and Mabel Peacock, 1908.

Rising Signs by Rachel Barton

 --with a nod to Steve Dieffenbacher


It’s not that the rain or the sun doesn’t call for my
attention anymore—barometric pressure, one
measure of the day’s potential—it’s just that my
mind has sunk into a blank space where I don’t find
a measure for anything.


The alignment of seven planets on the day of the
new moon might be a bigger download than my
earth-bound skin house can integrate without my
feet flying up or my hair standing on end.
Transformation defies gravity.


When I drop my sister at the airport to fly back to
Alaska, will that be the last time I see her? Steve
writes the sky is a bird of sorrow which I am inclined
to believe. When I see birds in the sky, they are
always flying away from me.


If your ears stick out like Dumbo’s or your eyebrows
are thick as caterpillars, you might be considered ill-
fated though the wings of a fulsome brow like
Frida’s are passé. Just look at your grandchildren’s
studs and piercings.


The fridge can house two one-gallon jugs of milk in a
pinch and for a limited time. Drink up. Make room
for Saturday Market. Then, if you really want to fly,
you will, though it’s hard to let go until you quit
thinking about it.

Rachel
Colleen

Pantoum for an Addict by Colleen Harris

 

That hellish grit, powdered cocaine
weighed against your children’s hearts:
tarnished silver scales teeter, balance,
the house on North Thompson collapses.


Weighed against your children’s hearts,
the powder should melt in Long Island rain.
The house on North Thompson collapses
beneath the need coded into your bones.


The powder should melt. In Long Island rain
it spills like sugar on marble, sweetness
beneath the need. Coded into your bones,

something sulfuric, rotten in the marrow.


It spills like sugar on marble, sweetness
tarnished. Silver scales teeter, balance
something sulfuric, rotten. In the marrow,
that hellish grit: powdered cocaine.

Chibuike

End of the Moon by Jonathan Chibuike Ukah
 

I watch the moon grow leaves like fingers,
after I redeemed my pledge to the stars,
and allowed my grass to flourish like new feathers,
planted on the wings of an eagle perched on a soil
where I sow some seeds for eternity.
I have come for my special blessing,
dressed in the clothes of the sun and clouds,
that I might go to war without weapons
and conquer my enemies with bare knuckles.
How often have I gravitated towards redemption?


But the Lord decrees that He will be my stronghold,
when I become a thirsty traveller on a desert road,
when my body breathes like a city within walls;
He will chastise those who chastise me,
those who stuck wool and paper between my teeth
and whip those who carry arms with no arms,
who have no blood but drink my blood as milk
or follow me through His windy waiting room
and spill my water on the streets to flush out the dirt
which their spittle had scattered over the ground.


If we must pay for every service or miracle of our God
then the sacrifices of the Lord are garments on a toad;
though many who weep in the wilderness,
have a call to lament which they cannot say;
those who did not receive an unction to weep
have used their words against the echoes of the spirit.
They have raised a bloody altar on the shrine of the tiger
and ensnared the bull to bite the truth to dust.
The forest is a den, and the lion opens its mouth
to devour the little creatures hiding from winter’s wood.

Stephanie

Sestina for My Birthright by Stephanie Harper

 

Braving a blind meditation for my
vespers fated King James to inherit
my slapdash pointer finger’s violence:
That digit daggering, wayward, throughout
the Book of Psalms was like a parable
incarnate, no less profane than David.


A fabled Florentine begat David
in Tuscan marble. As a patron, my
past life financed Mike’s naked parable
of a righteous shepherd-boy inherit-
ing the throne to fleece “God is Love” throughout
a realm woolen sheepish with violence—

 

which stoked his wolfish itch for violence.

Oh, impeccably imperfect David!
Your covetousness! How it pulsed throughout
those virile veins... Well, yes, you stir my
insides for the battle I inherit
from my forebears’ fervor for parable!


Michelangelo’s chiseled parable
instructs us to embrace the violence
of lust... It just figures I’d inherit
the prodigal ache that plagued you, David,
into each soul re-begotten to my
legacy of brazen bodies throughout


history. Worn-out tropes inscribed throughout

our lore by ye olde stuffed shirts of parable
shan’t serve the purpose of diverting my
spying eyes from biblical violence:
Transgressions imputed to King David
are my truths, too. If I could inherit

 

his wiles why wouldn’t I likewise inherit
designs to “drop by” the piazza throughout
the renaissance of sexy marble David?
Hence my pickle: I’m cured in parable.
Did Goliath not bear the violence
of projectiles launched from the sling of my


inherited penchant for parable?
Throughout my feats of finger-violence
il mio Maestro David played my song...

Prose

Hole by Chris Turner-Neal

​

    You’d think growing up near a bottomless pit would have been exciting, but even the weirdest absence is just that—not there. The opening was only about as big as a softball. Every few years someone would come out from the university and measure again: no apparent bottom, no increase in temperature as the instruments descended to the ends of the cables. When I was in middle school, someone designed a probe, like you’d send to space. It kept falling until it passed out of transmission range. That shouldn’t have been possible, but it happened anyway.
    It’s scary for kids. You lie awake at night and you know you’re too big to fall in, nothing bigger than a prairie dog could get through the opening, but what if? Die of thirst, old age, hitting an unimaginably distant bottom—or does something lurk there in the unmeasurable dark? And then you get a little older, into the moody years, and you wish you could fit. Slip past the rim and let the dark swallow you and fall farther and farther away. And then by the time you’re in high school it’s as boring as everything but boys and beer, but you get a job at the tourist trap around the hole anyway because it’s that or Wal-Mart, and you’d rather see people driving from Marfa to Roswell on their “Weird Southwest” pilgrimages than the same faces you’ve seen every day since you were born, and that if you don’t get out, you’ll see every day till you die. So picking up hours at Pete’s Pit and Pizza it was, running a snack bar by a hole in the world.
    We got close, working at the abyss. People came and left—you know how kids are—but there were about five of us that all worked there together through most of high school. We’d even go up there with beers and drink when it was closed (easy to get rid of the empties). That tells you we were a tight little clique, but it also tells you the kind of town we grew up in.
Nothing else to do. New hires, first time drinking after hours, had to lie flat with their faces up 
against the opening for a count of five-Mississippi. Eyes open or closed, yell into the echoless nothing or just breathe—you had to face it, close enough to kiss. Then you were in.
    People weren’t supposed to throw things into the pit—littering, even if it falls out in China or Hell or the seventeenth dimension. But usually we’d let people throw stuff in if it wasn’t trash. Lucky pennies (explain how that’s lucky). Holy water from Jerusalem to bless
whatever’s down there. A lot of ashes—mostly people sending Mom on a last adventure, but one lady dumped her father down, threw the urn in after him, and then put her mouth right to the hole and screamed. No words. Just rage. We gave her a free soda, not because she needed the soda but because she needed someone to be sweet to her.
    And we did it too. Started as a joke, of course, and all those empty beers. Tomas threw in a shitty report card or something. We all pissed down it at one point or another. You know how it is. Piss on what you don’t understand. But one night we were up there boozing—Marcus had gotten a bottle of vodka from his dad’s cabinet, and we were passing it around taking sips. Jenna had put some Jolly Ranchers in “to make it taste good.” Lucy was laid out on the ground with her cigarette hand over the hole, ashing into it. We were all bitching about whatever kids bitch about—and Jenna said, “You know, fuck it. It’s going in the hole.” And she took out this note
some boy had written her and wadded it up and free-threw it right in. Marcus pulled out a traffic ticket or something, took a step back to show off, and threw it at the hole. Bounced off the rim, and Lucy had to tap it in. Tomas, an extra couple of beers in, crawled the few feet to the mouth of the hole and yelled, “Come get my drunk-ass dad!” Changed the energy, but we were ready.
We all had a lot built up to throw in, if we could. We wound up sitting in a circle, going around like Truth or Dare, sending our problems into the hole. No money, broken car, shitty parents, 
shitty town. The first time I ever said out loud that I was gay was that night, trying to get rid of by screaming it into the nothing under the world. (Didn’t take.)
    And nothing we screamed into the hole went away. It didn’t fix Lucy’s fuel pump or sober up Tomas’s dad or make me like girls or make Jenna not like me. It wasn’t magic, and it didn’t mean anything. But it gave us somewhere to scream. Years later, I asked Lucy if she ever wished she still had it to scream into. She said every Goddamn day.
    And after a while it was over. The owner of the tourist trap sold the land to the university, and we closed it down. On the last day, Lucy got all our name tags and pinned them together in a bunch; she kissed it and sent it down the pit. “To remember.” And we scattered—college, cities, marriages, jobs in the oil patch. Marcus died. I haven’t been back to Texas, much less the old town, in years, but that handful of plastic keeps our names tied to each other as it falls on and on and on, chasing everything we tried to throw away forever.

Chris
Music

Music

Love Oh My Love by Benjamin Fairfield

00:00 / 02:15

Plastic by Valeri Lopez

00:00 / 02:36
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© 2025 by Hare's Paw Literary Journal

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